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Showing posts with label thinking together. Show all posts
Showing posts with label thinking together. Show all posts

6.6.09

Honeycomb 4: Thinking Through an Online Role Play Project

This term we have begun to use our Asus Ees in the classroom, and during one of our VLE blogging sessions the students began asking when we were going to be working in Honeycomb again. Well guys the answer is this week, and here's some of my thinking as I am preparing the tools I want to use with my class.

At the moment we are working on an extended literacy unit based on stories with dilemmas, and during our planning time last week, my partner teacher suggested using the text "The Worry Web Site" by Jacqueline Wilson as a stimulus. I loved the idea and an immediate thought was how much fun it might be if we could get the students to begin interacting with the text as if they were "Agony Aunts." The writing outcome we have proposed for next week after we have engaged with some of the children's dilemmas together from the book is to have the children draft a reply, to help a character overcome their dilema. Thinking about this for the last couple of days and how cool it would be to bring a version of the worry website to life that they could engage with in real time I wondered first of all about our VLE and creating an imaginary user space. But then I began to think about Honeycomb.

The space we need for this doesn't need to be all singing and all dancing, but does need to provide an environment where the children can interact together safely and socially, while experimenting with their thoughts and how they communicate their ideas and structure how they might offer their advice. I have put together 3 simple pages to act as a stimulus for this, all of them are simple web page like mockups.
  1. The Worry Website Home Page
  2. and 2 based on the Worries of two of the characters in the book Greg and Claire.

My original thoughts were to create a Wiki and allow the children to engage directly with the page adding their ideas as the week developed, however after some thought I began to see that maybe this might not work in quite the way I wanted the sessions to develop. I began to think instead how this might be an ideal opportunity to develop the space for "Role Play," as an interesting situation for the children to practice their commenting skills.

Honeycomb does not currently allow the creation of internal hyperlinks between a users pages. But colleague John Sutton has suggested a neat workaround for this. By saving the Home Page I have made as a Honeycomb Blog I can transfer the contents of each page in the model "Worry Web" I have already made to create a post and so allow navigation between the home page and the individual "worries." This has involved a little reworking of the material I made earlier, but now I can use this space to encourage the students to work together to plan and share their comments for each of our "worriers."

Commenting on Blogs is a real skill, and something I am not very good at myself. It should be really good fun to work with my students as they practice this skill. I am really looking forward to exploring this process with the class this week. Perhaps using it as part of our "Speaking and Listening" focus to develop a list of dos and don'ts that can help us work together more successfully in our other online environments.

Previous Honeycomb Posts

13.12.08

Memories are Made of This: Narrative Recounts and Photostory 3


I haven't been able to get to my Blog recently. The end of term is approaching all too quickly, but this alone hasn't accounted for my not being able to make space and time to write. December 16th is not only our end of term, but represents the end of an era for our current school building. When we reconvene in mid January, the buildings that were once Teyfant Community School, will begin to disappear, hopefully not too violently, beneath the landscape that will form the new BSF through campus site, known as the Bridge Learning Campus.

I have spent many happy years working here, interspersed with the odd secondment. Some of these were intended to lead to other things, but the place and its people have always drawn me back. This move comes during a year that not only means a new beginning, but also at a time when "the old school" has reached a significant landmark in its own service to the community, its 50th aniversary. To celebrate the life of the school we and our students have ended our time here with a themed fortnight looking back over those years.

Making A Simple Video Timeline

As a stimulus to begin work with my class I made a video timeline using Photostory, Moviemaker and CDex. To begin our look back over the past 50 years I spoke with colleagues about their significant moments and used these materials from connected Earth, to frame web searches for images use. The web based collect and store process, began with a google image search. These images were saved to the network, in a share folder, alongside images scanned from dated photographs we had of the local area, and school itself during the period.

Once the collection had been made, these images were imported to Photostory, and using the timeline feature here, each image was dragged into time order. Using the text tool, dates were added as ovelays to each image, before saving the project and exporting it as a video file (.wmv).

Using CDex, I "extracted" mp3 tracks from my CD collection to represent each era in the life of the school, then using Moviemaker began the prepare stage of the process,
  • Firstly the video from Photostory and the music tracks were imported to collection.
  • The video file was dragged to the timeline,
  • and each music track in turn dragged to the audio timeline.
Using the crop tool, each audio track was then adjusted, by dragging it to fit within the video clip it represented. The video was then previewed and "played about with" until I was happy with the audio and video.

Using the audio tools in Moviemaker I then clicked on each audio clip inturn adding a fade in and fade out to each clip, before finally exporting the completed video.

E Safety Point: I used music from my CD collection so I cannot publish the timeline here, but perhaps the process outlined above will be useful in helping others to make a similar tool for themselves. If interested I would be prepared to remove references to our school and upload the video minus soundtrack for others to use as a starting point.

Student Outcomes: Digital Narrative Recounts

In class we invited past students, some of whom were the children's parents and grandparents to visit and to talk about their experiences of Teyfant. As you will see in the video clip presented below the students gained a great deal from this process, interviewing and listening to voices from the past, not only provided insight to what the school was like, but also provided modelled voices in past tense to frame the script writing process for the video I wanted them to engage with.

We combined elements from the QCA art unit viewpoints, with a short literacy unit developed from the student's previous recount work to create their scripts.

Beginning from the students we discussed our favourite memories and places associated with these from around the school site and used view finders to frame shots, before using digi blues to capture the planned images. These images were then transferred to a share folder on the school network.

The students were then encouraged to compile a 3 image video montage, using Photostory, to use as a frame for their script.

Alongside this we used the relationship between colour and feelings to explore some of the images we had captured, sketching these, and using photocopies to apply different media types and colours to help us explore the vocabulary of feeling.

Using our vocabulary and representations we began thinking about our memories and feelings not only about our time at school, but about our views of the future, and the context for the student's script was set. We wanted the children to imagine that they were visiting the school site some time in the future, the old school had gone and they were looking back on their time here in the same way our visitors had when they came into school. The children were encouraged to write a short voice over, that would need to be written in three parts or paragraphs, that they would record to support the images they had placed in their photostories.

Once complete and reviewed/rehearsed in pairs, the students have begun adding these. Here are two example outcomes, with more to come as we complete the process.





It has been interesting to see how the students engage with the task. As well as the presenter role, they have also begun to assume directoral and editorial roles, one child recording and supporting the other to improve their presentation, talking about, deleting and redrafting the spoken writing outcomes, in response to what they hear. These video's may represent the student's thoughts on the end of an era, and their views of the future, but I find myself increasingly interested in and looking towards what they might afford as we move on. Now the students are familiar with the tools, it might be interesting to see what they make of them as vlogging tools, and ways to record and share community learning experiences.

21.10.08

Honeycomb 2: Students innovating on a teacher tool

Before I began working with the students last week I had a play with some of the tools that Honeycomb had to offer for myself, including the "wikki" and page share tools.

Using page share I set up a page about Grace Darling the Victorian Heroine we would be using as the focus for our Newspapers and Reconts unit. While planning this I had created some screen captures from a flash based tool found on the Shorething Website, to support IWB based "talking for writing" tasks and to assist in sequencing events, and added these to the shared image bank.

Using the share space ("wiki"), (image above) one of my students J, has has created a tool similar to that we had used on our Smartboard to engage and involve us actively in recreating the story for ourselves, dragging these screenshots onto the page and adding a label asking can you sort these pictures? This is something I have to admit I had not thought of, but what a great idea, an online interactive storyboard... This is a tool I feel sure we can work more on later. Thanks for the inspiration J:-)

20.10.08

Honeycomb 1: Peer Review or The Joy Of Commenting

Popping into Honeycomb this evening was an absolute joy... Its official and from the mouths of babes, I can design cool pages. Greeting me when I logged on was a comment from C, who is as chatty in text as she is face to face.


Visiting her space to reply I was greeted with her home page now with the addition of a poem she had written in school today, and a browse around leading to a blog she had added that included an additional poem innovating on one developed in previously in class about Morning.

In addition to her own work, C had also been busily visiting her friends leaving encouraging comments and stickers too. What I was particularly impressed with was her use of the "assessment Sandwich," A slice of well done, followed by a filling of astute and insightful things to help her friends make their work better and sealed inside a further slice of encouragement. These will be really great tools to help others see how we can work and learn together in this space. Thanks C you are an inspiration.

12.7.08

Planning My Classroom Learning Wall: Learning and Thinking Together


Previously I have posted about our School contract and online charter, which use the principle of 3 Bees, "be responsible, be respectful, be safe" to support students understanding of why we have these guidelines. In class we unpick what each principle means to us, and work together to form our classroom learning contracts from these, discussing what they might look like in action, sometimes using digital images and captions to model these processes and routines in action, providing students with visual frames of reference and models of what we think desirable classroom behaviours and actions look like.

As a staff we recently began discussing how we could develop these using the bees as characters to help students link learning behaviours to targets for curricular learning, support self and peer assessment and help develop autonomy and ownership over personal and group learning paths. I thought I'd post today this draft centrepiece for my classroom learning wall, and current thoughts around how I'd like this to work in my classroom. Its a bit tatty at the moment as it is lying on my study floor. Each child is represented in the display as a "bee." The honeycomb in the centre is where we will be displaying our learning to learn and speaking and listening targets for class and group work. These will be unpicked with the class to help identify the smaller steps that describe the learning path we need to follow towards them. Personal targets I am thinking could also be displayed here as "keys to learning," "honeypots," or individual student "flowers." This still needs some thought and discussion with the students though to enble ownership and so the display does not become too contrived.

Anyway expanding the metaphor, and building on colleague sugesstions, since bees tend to work cooperatively within a hive, each hive here represents a student home team or group. I would like the students to extend work we have already begun to develop greater ownership and responsibility for reviewing and evaluating their progress together towards and within these targets, and am currently pondering how we might extend use of tools like comic life, digital imaging, audio recording and our class blog to enable and encourage this.

I was struck the other day by Wordle, and how the visual representations of text had helped me see ideas differently, am considering thispart of the mix to promote talk around learning. I am pondering how the creation of weekly or monthly text files to gather thoughts and ideas during review, might be useful in encouraging and supporting learning about learning. Asking students to use one word to sum up their groups feelings about how they worked together, their learning tasks and outcomes, or to record student descriptions of what they have learned or now understand from a particular activity could be really powerful for later discussion and as evidence of progression in the use of process skills. Student repetition would be really valuable in this case highlighting through the "cloud" commonalities in their ideas and thinking. Perhaps these could also help to support development and use of the vocabulary we need to describe features of learning and thinking together in tasks. They might also be great to display on our learning wall, visually representing aspects of our learning journey, forming starting points for discussion as we develop our grow our common language of learning. They could also be an interesting way to post to our class blog as a starting point to mediate discussions with parents and other stakeholders in our learning community about what has been going on in school.

I also want to link the use of this classroom tool with how we further develop and embed learning within and beyond school through the use of online community tools. A nice tool to use with this would be Honeycomb, for obvious metaphorical reasons, but a new look at home school learning that sees these virtual places as flexible places to extend ongoing classroom projects and activities collaboratively will be an interesting place to start in developing a modelled framework for use of our VLE as we approach the huge changes due to our school in January 2009.

This is only a starting point and a bit of a ramble, but I would value any thoughts or contributions you might have.

29.2.08

Playing With Words: Podcasts, Performing Poetry and Plenaries

I took quite a while formulating a suitably illiterative title for this post, that sets out to share two new podcast episodes. I didn't intend to publish these when I planned the writing unit from which they come, indeed the writing outcome for our work was actually to publish a written anthology, which even as I write is awaiting lamination and binding.

Both podcast episodes were actually recorded in class as integral and incidental parts of our talking for writing process while we experimented and explored rhyme and rhythm during the writing of Limericks and Spells. The poems created by the students were recorded and then played back during literacy hour plenary sessions, inorder to support evaluation of written outcomes against the success criteria we had established for each poetic form. Recording and Listening to the voice recordings was a part of the students ongoing and assessment for learning process, a chance to externalise and share their internal voice, and to consider how or whether their poetry worked within the rules we had established together, as well as an opportunity to consider with their friends how they might improve not only their content but also to gain suggestions about things they might do to restructure parts of the poem before publication. There is for me anyway an incredible sense of satisfaction in these recordings in terms of seeing (sorry hearing) how far the students have moved in their emerging understanding of the relationship between reading and writing for an audience and speaking and listening as a presentational device. They were so keen to include expression and what they were learning that in one case particularly the evidence presented in the limerick shows how the student had so obviously used the spoken cadence and rhythm rehearsed not only during rehearse and write process, but also in his final presentation of his final poem. It is also obvious from the background sound that each poem was recorded in class. The internal mike on my current laptop being sensitive enough to capture not only the performers voice but also the rustlings and tappings of the more "kinaesthetic" members of my class. Fortunatley within the spell recitals these have added to the stormy atmosphere added through the inclusion of thunder claps. I hope you enjoy listening to these, but that also this post in support, offers another perspective on the potential role of digital voice recording and podcasting software in the classroom.

9.2.08

Honeycomb Video Demonstrations

Doug Dickinson has published a link to his video demonstrations of Softease's new Web 2.0 Learning Environment Honeycomb. This tool really excited me on my visit to BETT08, not as a standalone system, but its potential to engage students and teachers in content development, management and sharing within a learning centred toolbox approach to the use of ICTs. Check out the tool and its affordances for your self by visiting this link

26.1.08

Starting with Bobby: Exploring Repeating Patterns in a Mathematical Context

Meet Bobby, a tile character I initially created this morning, to accompany me as I began to explore and think through some of the mathematical possibilities in using QCA ICT Unit 4b to explore repeating patterns. In a previous post I presented some ideas around how I have used these ideas and processes to develop a Design and Technology focussed project using MS Paint. Here I wanted to take a different tack, and expand on and explore another context where I found the process useful, in exploring the language of shape and space through a mathematical context.

Why MS Paint? Well since the PCs I use in school, all run Windows, and those of my students who have computers at home generally work within this environment, paint is a tool, that we have ready access to, frequently underused and exploited, there is the possibility that if excited and motivated by the tasks we develop, the students may choose to extend ideas away from school.

In beginning projects involving repeating patterns I favour an approach where my students begin by making their own tiles, using simple shapes, copy and paste, alongside flip and rotate, to develop more complex designs, that can eventually be used to develop their patterns. Repeating patterns activities such as the one I am thinking through in this post, have it seems to me enormous mathematical potential, an affordance we may not readily associate with graphic and painting packages.

Beginning with the development and creation of a set of tiles based on irregular polygons, such as an L shape, which we can describe as an irregular hexagon or hexagonal, and others such as these examples.

The sessions might be developed from the limiting of tool use, and copy and paste to develop initial tiles exploring different polygons that can made using only 2 rectangles, perhaps expanding to explore polygons that can be made using 3 and so on, and then using these tiles to support discussion around the properties of shapes. Perhaps we might explore the number of right angles they have? Are the angles always right angles, perhaps inviting reasoning about why the students think this might be the case? What happens if we overlap rectangles? How does this alter the possibilities for polygons we can make?

In developing these relatively simple "objects" we have begun to think mathematically about the activities we are going to engage in as the process unfolds, and this can be further built upon using the flip and rotate tools as we move to develop our tiles. In MS Paint the flip and rotate dialogue box offers options to flip horizontally or vertically and to rotate an object through 90, 180 or 270 degrees. These can be compared with 1/4, 1/2 and 3/4 turns, that our students may be familiar with through their use of tools such as the BeeBot floor turtle, and maybe even related to table top work related to using mirrors when exploring symmetry. Here we can begin to introduce or develop the use of numerical values for right angle turns with visual modeling and exploration of effect being developed as children create new tiles based on copy, paste and rotation of their original tiles. The idea of angle and a measurement of angles being related to rotation and turn around a point being introduced at the same time, through discussion and exploration of the effects applying these tools to the objects has.

This tile was created by copying and pasting one of my irregular polygons 4 times, rotating it each time progressively through, 90, 180 and then 270 degrees, and overlaying each newly pasted tile onto those pasted previously. From this context there is the possibility to expand on discussions begun around my Polygon activity, by exploring further, ideas around the properties of the tile and shape created. This shape possesses no line symmetry, as it was made by rotating tiles, it may be rotationally symmetrical however as all of my rotations were through right angles. We could test this together, using copy and paste, and the flip and rotate tool, with the object set as a transparent layer, and by dragging the tile over the original, to observe whether or not the tile is rotationally symetrical. We could also ask what the children notice about the angles? Again theyare all right angles, why might this be so? Using the tile, we pasted and the flip and rotate tool, we can make a tile or a shape that does possess line symmetry?

This tile was made using the "flip vertical" tool in MS Paint, by copying the tile, pasting it and then dragging to touch or tessalating the two tiles. What will happen if I copy this whole shape and join this to my other tile? How many lines of symmetry do I have? What effect will "flipping" this tile vertically have on the pasted shape and the one I make as a result of tessellating them?

Moving on from these simple tiles, the children could be challenged to make their own designs, firstly using rotation tools to make their own simple tiles and then flip tools to make symmetrical tiles, that they can tessellate, by repeated copy and paste.

Patterns are governed by rules, having produced their tesselating designs and saved, these they can then be coloured using flood fill tools, to follow either given rules or support reasoning and generalisation around visual lines of enquiry. Using save as in between each step of the activity, eg



  • Using two colours, make a pattern where no two shapes adjacent to or next to each other are the same colour,
  • Create a design where adjacent columns or rows are different colours?
  • Use three colours to create a diagonal pattern?
  • Use your design, save as and 2 different colours to investigate the different ways in which you can paint half, quarter, three quarters of your design.
  • Use a multiples of 2, 3, 4, 5 or 6 pattern to colour your design.
  • Colour your design using a multiples of 3 pattern, and then a multiples of 6 pattern. What happens to your design, when the new rule is used? What about a multiples of 2 and 4 pattern, or 5 and 10? What happens to my pattern if I use three colours and paint a multiple of 2 4 and 8 pattern?
These rules would obviously be varied and increase or decrease in complexity of language use and reasoning required according to needs of the students. The students might also be encouraged to design their own rules for patterns, and to apply these, or to challenge their friends to follow them.

As a bit of an afterthought a great follow up to these tasks would be to use a tool such as MS Photostory, to enable children to use and rehearse mathematical language and reasoning by including the digital outcomes of their tasks within a presentation. Dragging the images developed into Photostory, the students might use ideas from discussions they have engaged in during tasks, to record orally their work, ideas and findings as voice overs supporting their images, describing the processes they went through, and using and applying vocabulary developed during the sessions within the production of their presentation. The completed videos would make exciting evidence of learning while also supporting student understanding in using and applying mathematics activities and puzzles, as well as acting as a vehicle for sharing their work with others. These could be published for friends in school, but could also be added to blogs or VLEs for comments by visitors.

What happened to Bobby?

Well here he is and as I have been writing this he has not been far from my mind, in fact I have had a really challenging time working with my fussy friend, while in a mathematical frame of mind, to think about how I could use him to support systematic investigational work with a year2/3 Class or group. How about the possible colour combinations he could wear...
Despite his complexity, and his inability to tessellate, in his current form he does make some interesting designs and patterns, when used on his own initially to form part of an investigation. I wonder what combinations of trousers and jumpers are possible using only two colours, and what would happen if I had three Colours to choose from to make these combinations? How many different ways could he be dressed using four different colours? This as a simple pattern design would make a really attractive wall display!

Maybe extending this to make an initial tile, and using some of the rules from our investigation, we could systematically reapply the investigation to decorate these tiles, For this pattern I had three colours, and tried to find the different combinations I could use to colour opposite characters the same while rotating the colour fills between them.

As a discussion point, there other whole class possibilities for using some of my original more complex patterns using Bobby. Using an open ended question I might be able to use some of these following student engagement with tasks like those above.......
Perhaps embedding this pattern into a smart notebook, I could use a hide and reveal techniques to explore the patterns and shapes, asking questions such as What can you see? Is there anything else you can tell me? What shapes can you see? Is their anything special about the colours I have used, and the way I have used them? Encouraging responses and answers to be given in sentences, asking why do you think that? and seeking responses that require and support students as they use not only I think.. or I can see ... statements, but require reasoned "because" type responses to be formulated, perhaps through paired discussion teacher modeling and group rehearsal.

27.11.07

Making a Molehill Out Of A Mountain: Ramblings and Reflections

Explaining how I plan or visualise the learning routes I design for my students has often been a headache for me, since I haven't found a visual model to help me explain. The IKEA man image I presented in a previous post, although describing my behaviour during the planning process, somehow didn't really explain how I see this process in my head. In order not to make a mountain out of a molehill, I have made a molehill out of a mountain instead, and in this post wanted to share a visual model I am currently working on with my students to help break the processes we engage with into steps while supporting us in working towards the outcomes I want to achieve. I would like to thank Di Pardoe for the idea behind this image, and for the inspirational work she did with us around assessment for learning practices, in recent years.

I mentioned in my IKEA Man post how concerned I was becoming that when we look at planning frameworks, particularly like those presented in the QCA schemes of work, we tend not to look at the end product first, or the outcome we want to achieve. A learning focus often taking a back seat to the need to deliver. This may seem strange to some of us, plans are essentially linear after all, we move from point a to point b and then we can do c. Our plans might be, but classroom learning as a long conversation, provides many first hand experiences of how when engaging with students, the assumptions we make during planning, can quickly become unravelled, leading to more complex situations and requirements than we intended or expected. Recent events have required my reflection on this and to find a way of formalising visually, the processes I want to engage with in supporting student learning and to guide classroom visitors and myself toward seeing where we are now and how this has been achieved, modelling how the small tasks and activities in our learning process are leading towards desired and intended outcomes. I still feel it is important that we and the students see the big picture, to ensure understanding of how the steps or processes that evolve link to the way we are approaching these goals, and using the Maths Mountain above is enabling me to begin fulfilling many of these needs. It enables students to participate in the journey we have taken so far and to see where we are to go next as we traverse our topic. On the top of the mountain goes the big objective, or target outcome for the week, and at stages or stopping off points up the mountain the smaller objectives to be achieved are displayed. We have a character who climbs the mountain with us as the week progresses, and during our plenaries we review the sessions and make decisions using traffic lights about whether we can move on up the path. In our final sessions we engage with a problem or a puzzle involving the steps we have developed to review where we are. This simple visual device is helping me to improve the transparency of the processes we engage in, and currently flexible enough to allow small diversions, while focusing my attention and guiding my conversation toward the intended outcomes of each session, allowing at a glance for feedforward and feedback around the steps in our journey and the possibility of insight for students and visitors to where we will be going next.

After attending the Year 3 numeracy sessions held in Bristol today I have been considering how this tool might also support another issue, that of evidence of learning. The practical nature of the teaching and learning processes shared and outlined today by our colleagues, and the emphasis on talk as a process I have over time come to recognise as "thinking together" is in stark contrast with school based requirements to have children record all outcomes. I was interested to hear the question "Why are we doing this? raised, is it for the students, for their parents, for the inspector or maths coordinator? One suggestion made to free us from this concern was that we list the things students had done in a word processor and to copy and paste these to create cut outs that could be stuck into student's books at the end of the week, or to perhaps capture photographs of students engaged in practical work and discussion to be added. This essentially might turn the student's maths book into a learning log, where some pages have student recording, while others outlined learning outcomes or showed images of learning in the first instance generated by the teacher. This fascinates me since it parallels much of the work I have been doing for my Degree on "Narratives of Learning." As a result this evening I am toying with the idea of producing in a smaller format the maths mountain for students to use with our existing green for go and pink for think colour coding system, so they can use the I can statements included in our class mountain, to share with each other their personal progress towards the class targets set, perhaps helping to take ownership of the learning we engage in. Perhaps at significant stages in the process, during plenaries or as part of a morning task the students might be encouraged to highlight or later annotate these with sentences about their work, putting the vocabulary they are engaging with into practice, or illustrating the mountain with examples of what we have been learning. Perhaps the addition of a problem or puzzle to be worked together, could also be used to provide additional evidence of their ability to use and apply the skills and experiences gained during their practical work. I was really drawn to the power of the idea of encouraging children to express themselves, what they have gained from a set of practical activities, rather than forcing an activity merely to model it for an often remote audience. As professionals, the idea of our plans as records of learning, even though as an assessment support teacher I used to advocate this, somehow right now doesn't seem to cut the mustard in some circles, and so this for me right now is certainly worth further consideration. I would be grateful for any comments that might support this idea.

(Having just reread this I have amended the title, it is a bit of a ramble, perhaps I should have called it High on a Hill stood a ... it seemed to make sense at the time Ed.)

22.11.07

Talking for Writing: Using a Picture Book as a Multimodal Text To Develop a Script for Podcasting

Just finished the first weeks planning of our new writing unit, and am really excited, having persuaded my collegue that the writing outcomes for work developed might be a series of short whole class podcasts. The unit of work relates to play scripts, and the obvious links within this are that as a written form scripts are intended for oral and visual performance. We discussed how it would be interesting to begin using the context of the unit as a vehicle to explore some of the ways in which speech forms are encountered multimodally within texts, as this links nicely with the way we have begun to approach punctuation for reading in class so far this term, and begins the students on a journey towards our could target.

Our starting point is a familiar story, and we have chosen to use "On The Way Home" by Jill Murphy. I love this text, a picture book based shaggy dog tale, about a little girl, with a "bad knee!" On her way home to tell mum all about it she meets various friends, who greet her, are told about her bad knee, and then subjected to an increasingly elaborate series of explanations and tales about how the injury was gained. What is lovely is the ending, "just how did she get her bad knee?" "Well.... I was p..." I don't want to spoil this and since we want the students to innovate on the story, perhaps you might visit our podcast when we publish to find out.

The page format for "On the Way Home" borrows many of its visual elements from the comic strip genre. Each double fold page being split into panes, that illustrate the story in beautiful and incredibly detailed visuals. The Character presentations in Jill Murphy's illustrations, offer fantastic opportunities for discussion not only around the written text but for developing inferential work, from gesture and expression to talk about feelings they may be experiencing, this inturn offers possibilities for unpicking how the words spoken by a character might be expressed. We have decided to use this as a platform to develop writing frames and Smart Notebook pages to encourage students individually, in small groups and as a class to discuss events, and consider what characters might be saying and how they might be saying them.

Using punctuation spotter activities with extracts from the book as a shared text, we want to extract character dialogue, adding these to the images through speech bubbles to present visual models of speech. Developments from this for students themselves to create their own page for a class book, replacing Claire the central character in Jill Murphy's story with a student from our class who meets friends from school on the way home. Over the course of the week, we intend the students to script a short passage of dialogue beginning in comic strip format, expanding this to think about how they and the friend they meet are saying things. Drawing on the rich visuals in the original text we want to draw out and develop a wordbank including new and familiar speech verbs, that can be applied as the students create there own dialogue, recording and adding these to our WOW word wall.

Since we are going to podcast our outcome, use of descriptive phrases and adjectives will be required to add depth and richness to the content our listeners recieve. Using "rub and reveal" activities, with the cover illustration from the book, we will begin by playing vocabulary games, to help extend the complexity of description given by the students. The WOW words used and collected can also be recorded and added to our WOW word wall for use as we progressively develop our short scripts over the sessions. Playing games the students will be encouraged to be "Claire" or the "class character" we have chosen, and to use sentence starters we collect from the text and develop such as "Weeeell!...." or "it was like this!..." "From nowhere a .... appeared!" "As I was...." and so on to rehearse and present exagerated descriptions, that we can draw on as models for writing in the dialogue we present. We use actions in our speech based activities, to mark punctuation types in spoken sentences and phrases as we speak and rehearse, and these will also form part of the development process through the games we play.

Throughout the week, while focussing on talk for writing within shared sessions we also want to use text book based materials to introduce and model how speech marks, are used to mark what is said by characters. Using speech bubble activities and punctuation spotter activities during shared work will help we hope to model the role they play, and also enable us to revisit prior work on special full stops such as question marks and exclamation marks. Usng student's written speech in bubbles, visual context cues and exercises we want to encourage the students to think about and rehearse speech; returning as we go on to consider how the choice of additional punctuation marks we have already worked on might influence how things are said, and how speech verbs will support this.

Our Big write on Friday this week will hopefully be a process of illustrating our class book and an opportunity for students to record their section of our podcast. Over the course of the week using modelled support the students will have gradually created in comic strip format, a short passage of dialogue between themselves and the class based "Claire" character, and an exagerated explanation of how they got their bad knee. These will then be recorded using the chapter tool in Podium as a dialogue between two children working in pairs, using the context sentences they produce as narration, to link additional dialogue created by other students as we build up the final podcast in chapters. The original story opener read by my colleague, and the close by myself to each story, having been modified to fit with the class characters chosen. The idea being that as we introduce play scripts formally next week, we will have an available class design to draw on helping us to make links between the text types used this week, the picture book, the comic strip and the podcast as we begin to discuss and identify the purposes that the formal structures of a playscript play.

I would like Podium to play a developmental role as a shared writing tool the week after next week, drawing on the "script writer" within the software enviroinment to help model how dialogue is organised within the play script environment. In a comment left by Doug, a couple of weeks ago about my post Reading With Expression: Punctuation for Podcasting With Year 3 he said:

"I would be really interested to hear/read about the role that the 'script writer' in Podium could/did play in this task. The move from text to speach through the study of punctuation strikes me as a very powerful thing indeed."

Hopefully as this unit unfolds I will be able to engage with some of these ideas in a practical context, and be able to provide concrete examples. For me becoming a reader or writer, is more than a process of encoding or decoding. In our multimedia world it is increasingly a journey towards gaining understanding of how text in a variety of forms is used to represent and share an inner voice or visualisation. One of the exciting things about using Podium with my class is that after the giggles and "barge" at the text approach we encountered at the beginning of term, students racing to complete their input; on hearing their own voice several students are beginning to think about what they say and how they say things when they are reading, and this is beginning to impact on how they approach the writing process too. It was exciting on Friday, as you can see from the photographs supporting this post, to see students for the first time rereading what they had written. One student in writing about how Henry VIII had married his brother's wife, asking "did I think he felt guilty about this?" Going on in the text he finally produced to hypothesise that he might have...?

The role or potential role of the Podium Scripting tool, in the development of understanding around the place of punctuation for reading is a potentially powerful one, and one which I am keen to explore and exploit, building on the current experiences we are providing with visual and oral textual models. It will be interesting to return to this as the writing unit progresses, and particularly as we begin to use the script writer as a dynamic resource to focus in on features of play scripts. Within this I am particularly drawn to providing an existing story imported to the scripting tool, to be reworked together as a class using the affordances of the interface to model how the format used by Podium in the allocation of roles, within a performance, mirrors formats we encounter in formal play script models we share. Using this to transform visually and dynamically the text on screen as we go, may help develop understanding of why inclusion of stage directions, or narration within the text we create will be neccesary, and seems to me a very powerful imaging role for the tool. I look forward to sharing this further as we explore the tool and processes involved.

22.9.07

Addition and Subtraction: A Learning Story

A while back I engaged with an assignment involving review and evaluation of a multiple tool approach to the use of IWBs in the numeracy hour. The PowerPoint learning story below, was how I chose to collect, collate and present the empirical data I used when discussing this in the assignment. This was finally submitted in two forms. one on paper, and the other as a navigable web page based structure.



The context of the story is a teacher designed, two week numeracy unit on written calculation methods. Drawing on framework plans as a structure, it began with the exploration, discussion and collation of the mental strategies students brought to the session as "available designs" from their previous encounters (Cope and Kolantzis 2000, Editors for the New London Group). All data presented here was collected initially during lessons using the Smart Notebook and whiteboard. It was not only used for research purposes in charting of the current lesson, and setting of new problems as we worked, but also provided feedback and feedforward from session to session. Following the classroom activities each day, the content of the notebooks was transferred to PowerPoint for evaluation and review.

Our intended learning outcome as a class was to learn how to use the standard written algorithms required to be taught within school, as ways of adding and subtracting two and three digit numbers. As an iterative process the students and I evaluated together the strategies we already knew and used, how they worked and shared them with each other as a community. We examined and reviewed our choices through discussion of their effectiveness in the calculation process. The students tested and compared outcomes of their using each other's methods, in paired activities on small dry wipe whiteboards. As the students worked I also photographed student outcomes and engagements for inclusion in our learning story, and for classroom display. Within the story I hope you can see how we began to unpick the methods we used, and to identify how apparently different and diverse methods could be reduced to common aproaches, such as partitioning and decomposition. In week two we began to transform these into the standard written algorithms the students are required to use. In effect the story shows how I helped the group intgrate their informal mental methods and jottings into a standard written form they could use and practice by the end of the unit of work.

This process was not only useful for the students but as an action research process was incredibly revealing for me. Until carrying out this task I don't think I had really given much thought to the complexity of the process involved in making links between the elements that are required to calculate using the standard written methods we ask of our learners. We often make assumptions, that since a progression of work has lead to this point in a child's development, that they recognise the processes for themselves. Exploring how students engage in calculation in this way has really helped inform the way I approach the planning and development of lessons, not only where ICT is used to mediate, assess and review learning. I try to begin units of work with initial explorations through discussion, of the mathematical strategies students themselves are bringing to sessions as a starting point, evaluating perceptions and where possible to use the tools students bring to the session to link my planned content with what is already known.

19.8.07

Shapes In The Environment: Digital Tools In The Numeracy Hour

Green Park Station, is a little off the beaten tourist track. No longer in use for its designed purpose this attractive building is now home to a local farmer's market, houses a number of small specialist retail outlets, and is part of the local Sainsbury's car park. However despite its aesthetic and retail therapy appeal it is as a mathematical resource, that I was drawn out of doors one damp Saturday afternoon, and before a leisurely shop and a coffee in the Brasserie, I wandered around armed with a digital camera to snap these images.




It has been interesting to engage recently with posts around the use of ICT and digital media within the Literacy Hour, so I thought I would turn my attentions towards thinking about the potential some of the tools explored might hold for the Mathematics Framework.

Using and applying has a central dimension within the new mathematics framework, and the recent NCETM research digest mentioned in a previous post, draws our gaze toward the valuable role that talk has to play, through class discussion, collaborative group work and guided investigational activity in developing and rehearsing processes while contextualising the use and application of mathematical vocabulary in context.

The real world context of Green Park, is alive with shapes. Its curving semi-circular central roof, supported on cylndrical pillars, presents the impression of a majestic semi cylindrical covering to what was once the train shed. While a closer look shows the glass roof itself not to be curved, but made up of rectangular panes of glass, rising to an apex, that makes it triangular in appearance. Wooden wall panels made up of tesselated rectangles, cross braced to divide the irregular quadrilaterals still further into right angle and equilateral or are they isoceles triangles. Supporting structures from the pillars create triangular openings with curved sides, arcs and to the sides of these are mounted spherical lamps. Windows form rectangular openings in the fascade of a largley cuboidal building, divided into smaller rectangles the window frames in turn hold still smaller square panes of glass. Vertical, upright girders form perpendicular supports riveted to horizontal beams which rise parallel to their neighbours. The central roof, and facias also present yet more tesselating and symetrical patterns to be explored.

Using the IWB and/or printouts of the images there is enormous potential to frame discussions around the properties of shapes. From simple shape hunts to the investigation of congruence, and shapes within shapes, from identifying lines of symmetry to describing and reasoning about the forms evident in the photographs. Extending and developing this with students themselves we might create local shape trails, using digital cameras to help develop not only their observational skills but encouraging them to focus on the structures around them and their features in the landscape.

There is an increasing catologue of ready made Excel, and flash or object based tools, available on the New Mathematics Framework Website, sorted and grouped by strand and unit, for use with the whiteboard or by students in the ICT suite. In the Literacy Framework there is an increasing focus on how digital technologies might be used to support learning outcomes practically as extentions and alternative ways of presenting activities developed within the and from the Literacy Hour. Perhaps activities such as this might be one way of beginning to see that ICT can be used in a similar way for the presentation, exploration and representation of mathematical ideas.

IWB.... Slideshow.... Action! Investigating The Number 9

With an eye to the using and applying strands so apparent in the New Mathematics Framework , I have just found this interesting group on Flickr. Called simply Nine, the pool have currently 3,037 uploaded images, that represent the number 9. So what I hear you cry, well, I haven't viewed them all, but there are a number of different representations that could make interesting starting points for discussions and/or guided investigations focussed around thinking together with the IWB during Numeracy Hour.

With younger students, where we might want to discuss numbers in the environment, there are photos showing different everyday representations of the digit 9.

With slightly older students how about starting with a slideshow, showing a range of 2 digit numbers with a digital root of 9, and opening the oral mental session with a question like "What's special about these images?" perhaps a bit too open, how about "What do you notice about the numbers in these photographs?" or "I made a slideshow to start today's session, I have called it 9, while you watch it today I would like you and your neighbour to think together about why that might be?" Perhaps you might choose to include only 9 photos, inorder to allow an in, by counting for those who might not readily focus in on the numbers in the images.

With older students perhaps we could use a slideshow involving some of the more obscure, ways of representing nine like these two.

Firstly there is a nine in this number, but perhaps there are two nines, 1 + 8 = 9 too. What about extending this to consider the digital root of the whole number like so....

(1+8) + 9 = 18 -> 1 + 8 = 9

We could also consider building on this guided investigation as a starting point in a multiplication unit to help support work around the nine times table, what do the students notice about the digits in the products of the nine times table, try working through the digital root, as we did with the number above...

How about this? What do you notice about the number on this bus?

9711.

What happens if... we divide 9711 by 9? Does this work with all the numbers in my photo stories of 9?


I think this is truly fantastic collection of photos. Thanks. Inspired of Bristol!

17.8.07

Starting from the Student..thinking aloud

I was asked the other day to comment by my tutor, on a research digest article, regarding Interactive Whiteboards, by the NCETM (The National Centre for Excellence in Teaching Mathematics) This document is really interesting not for what it has to say about the use of technologies in Mathematics lessons, but in the assumptions it makes regarding teacher perceptions of the role of talk as a tool in ICT mediated learning contexts. This was of particular interest to me since this has formed an integral part of the literature review for my dissertation, which uses digital video to explore aspects of what learning looks like in my ICT mediated mathematics lessons. It has helped me reframe the perspective of my discussions, and provide context and relevance to some of the issues I had, previously raised about an overly generalised outsider perspective on how ICTs are used to mediate learning.

What seems at the moment more relevant to me, in terms of understanding what learning might look like, is in the material that surrounds the IWB review presented, and what it has has to say about the use talk, in supporting, framing, mediating and developing mathematical contexts. The "transformative potential" of the IWB lies not in the technology, but how we as teachers understand it as mediating tool in learning situations, We seem to shy away from the idea that IWBs are presentation tools, becoming defensive about our perceptions of it, but essentially this is what they were designed for. In the classroom however their transformative potential lies in how we use them as a vehicle to bring together a host dynamic tools within wider structured and tool mediated collaborative or communal work. How as "designers for learning" teachers draw on the affordances of software environments and other tools to engage their learning communities, for example through guided investigation and problem solving approaches within shared and communal tasks.

The current web 2.0 revolution is evolving through social networks, where learning together and communal knowledgebuilding is a key and accepted element. I learn much by visiting other blogs, wondering how certain things were achieved, experimenting and joining in sharing ideas, and seeking support from a diverse network. In the classroom I know this occurs also, but the key to enabling this is how we use the space to share in the knowledge and experience developed by one member of the community, building on this through the experiences we bring for the benefit of everyone, seeing each contribution or idea as part of a larger whole. Using the ideas embedded here, and stemming from engagement with the work of Neil Mercer, I have begun to use his view of talk, as a process of "thinking together," to look at how or whether the IWB and other mediating tools used supported the creation of common knowledge and ideas in my classroom, and the strategies I used that enable or disable this process to take place. Anyway to end on a lighter note, thinking about starting from the student I found this today thanks to Doug Dickinson

A group of young children were sitting in a circle with their teacher ...
...she was going around in turn asking them all questions.

"Davey, what sound does a cow make?" Davey replied, "It goes 'moo'."

"Alice, what sound does a cat make?"Alice said, "It goes 'meow'."

"Jamie, what sound does a lamb make?"Jamie said, "It goes 'baaa'."

"Jennifer, what sound does a mouse make?"Jennifer paused, and said, "Uhh... it goes... 'click'!"

Submitted by Dave, Bolder, Co to My Kid Sister's Sayings .

I have to say this really appealed to me, as a similar incident occurred when a colleague from Chile was drawing with his son. They had made an elephant, and were colouring it in. My colleague asked if he could paint the elephant grey, and his son reached over dipped his finger in the paint and pressed on the elephants body. Unfortunately unlike the PC based "paint" this did not result in a flood fill, which is what his little boy had expected. So talk, what we say and how we interpret it does have a bearing on the common meanings we make!

9.8.07

Gestures can tell us Learning is in progress!

"Teachers who use gestures as they explain a concept -- such as a hand sweep to emphasize an equation's symmetry -- are more successful at getting their ideas across, and students who spontaneously gesture as they work through new ideas tend to remember them longer than those who do not move their hands."

I have been fascinated in ICT sessions to experience how children share ideas through pointing, changes in body position and how how thoughts and ideas seem to be modelled, externalised or rehearsed through the movement of hands. In classs when words have escape students they act them out by mime when they don't have the vocabulary to express what they want to say but can show. Check out this fascinating Article from the Washington Post. What might the implications of this for understanding the role tools such as Interactive Whiteboards play in learning?

21.7.07

And the Fun Begins...

Have just logged in to Think to check out messages and stuff, and found this sticky on my home page. I am waiting to see what the student response will be? Get back later. Intriguing though!?*

14.7.07

Sorry I wasn't in today.

It is a bit of a ritual to pop by the think spaces, over the weekend, and some times you find some real nuggets. How about this, from one of my year 3 students, who missed our ICT session on Thursday.



Even though she was not at school and was feeling poorly, she still wanted to log in touch base and say hi. What does this say about VLEs and the social nature of online learning? Hope you get well soon E :o)

7.7.07

Narratives of Learning: Reflections on recent seminars presentations

I have experimented with a number of different digital tools to present data collected in my classroom, to support essay writing and help me review and investigate learning events in my classroom. The tool I have found most valuable and powerful, and which I want to develop more widely with colleagues as an assessment and recording tool is what I have come to refer to as a "narrative of learning." A narrative of learning is quite simply what it seems, a learning story, an extension into the digital world, of something which was quite common in the primary classroom when I began teaching, the floor book. A "narrative of learning" can be developed using a host of readily available digital tools. I was privileged a couple of years ago to present with a colleague at the National Teacher Research Conference, where I drew on one incarnation of the tool in the form of a PowerPoint presentation, to support and form part of another in the form of a simple "video paper."

Video Papers are interesting as they are a relatively new forms of digital publication, and a medium in which some researchers are beginning to combine data in the form of multimedia, supported by traditional text types to disseminate and share findings. Using hypertext, the reports and documents, are divided into chapters and sub sections, where the use of a hyperlinking enables the reader to engage with the document in a number of different ways. For example the "paper" might be a collaborative exercise, involving a classroom teacher and an academic colleague, so we might structure it purposely to be written from two different perspectives, the teacher view and the more theoretical academic view. This on the surface appears not to be that different from a paper based document, we would still include the methodological processes, references to literature etc, but using the hyperlinked navigation structure we are able to read the paper in a non linear fashion, dipping in and out of areas of interest, or backtracking, perhaps clicking on a hyperlink to view the full reference, for a paper or author mentioned, or a back reference to something mentioned earlier or later in the paper, or to compare the teachers view on a particular aspect of the data with that of the professional researchers. We are also able to compare different perspectives on the same data, by having the analysis and review appear alongside the video, audio or image being analysed, without needing to take our paper apart, or flick back and forward between pages. From the point of view using digital and multimodal data, this can be incredibly complex to share in paper form, with video papers following initial stages in analysis we can select and embed samples from our data files so the paper can be read alongside it on screen. We can therefore watch and see first hand what the authors are evaluating and then use the hyperlink structure to see and read perhaps two comparative views of what is perceived as going on. Within this format however the reader can also be seen as co author, as they bring to bare their experiences, perhaps they see things differently constructing on the viewpoints presented in line with the evidence their own unique perspective. As these structures develop perhaps web 2.0 environments will be used to extend the interactivity of research papers and programmes with multiple author environments enabling, commenting to contribute to ongoing research, where perhaps part of the researcher role is to moderate these papers, as a single activity or evidence based task undergoes cycles of iterative refinement and teachers and researchers work alongside each other to form deeper understandings of each other's perspectives on classrooms and what constitutes learning. From a teacher point of view these are potentially powerful tools. They could facilitate engagement with ongoing research activities, while encouraging new ways of seeing. But perhaps what excites me more is the way in which the focus of such activities changes the way we see, from what we are delivering, to thinking about what students are receiving, and how they are learning. Changing the view of research from something which is done by others, to a basis for reflection, which sees classroom activity as the basis for research, reflection, and informed practice. These are key elements to me, that form the difference between teaching as an occupation and teaching as a profession. They also underpin for me one of the principle whys about assessing student learning.

Assessment for learning must be an essential element of research informed practice as it represents how we, iteratively engage with the learning process as it emerges in our classrooms on a day to day basis, identifying where students are and what they need to do next, identifying gaps in student learning and thinking about and informing how we support next steps in their development and understanding. Anyone who has worked with younger students will know that what we see in terms of recorded evidence particularly is not always what we get in terms of knowledge and understanding. Having carried out a writing task with emergent writers we invariably need to go back and have the students read their text to us in order to understand what they have written, and to understand how they are developing in their understanding of text as a semiotic process of representation. This enables a window on what they actually know rather than what is recorded and what we think they should know. This notion of what they should know, worries me as a teacher, as it stems from an over reliance on summative assessment activities, as evidence of learning by outcome. Far from the personalised learning approach identified in Every Child Matters, it consolidates the importance of a cohort mentality, being more about input and output on demand, than recognising the importance of the cultural and social origins of learning as shared meaning making. Classrooms as communities of practice, are not just boxes, they are social and cognitive melting pots where our learning is embedded in not only the artifacts we produce as individuals, but also in the experiences we bring to them and the ways we create and manipulate spaces to facilitate thinking together or the rehearsal, sharing and connection of ideas. These "interspaces" do not always represent the whole class, but frequently change as the result of the way we engage with each other and how we organise, plan and manage the learning process in our classrooms as they emerge. They are important I believe as it is through engagement here that we as teachers inform our choices about the tools we will use to mediate and orchestrate the shared meaning making which constitutes the achievement of our aims. The tools we use may include the physical such as pens, paper or the computer, but also the more ethereal and transient such as spoken language, or gesture. Capturing the latter as evidence of learning is difficult, they are fleeting and momentary, but no less important than the symbolic representation we feel we must have, if we are to understand what our students are actually learning, rather than what we think they are taking away from the encounters we have shared. They support a process which sees not only assessment for learning but also assessment as learning.


I have vivid memories of working with a year one student, as a probationary teacher. I had encouraged an emergent approach to writing, among a group students who were reluctant to write. She read her story to me, and I followed up by reading back, following the received writing direction. I began reading her story from left to right, top to bottom, pointing as I went, only to have her stop me to tell me I was reading it wrong, and beginning in the bottom right she began to read back, from bottom to top, right to left. I guess I should have been horrified that I had missed this earlier, but as a teacher still very much learning my craft, once I knew, I actually became even more excited than before, as I began to spot how she had represented words, using what she knew about how text is represented, the one to one correspondence of phonemes as well as her emergent narrative to construct her text. I had also identified one of the gaps in her meaning making process, and the next steps I needed to take in my work with her and the class as emergent writers, in order to ensure that she and they always followed the writing directionality convention. I booked the school's single BBCB and used the word processor to help develop and consolidate this, using this as a model among many, offering it as a place to draft on screen, and print out texts as well as using pencil and paper models and emphasising left to right directionality when reading. This process is a constant reminder to me of the dangers surrounding making assumptions about what our students receive, and has lead, even when working with older students to a reluctance to rely on what they have written or recorded as reliable evidence of what they have learned. Learning about learning is the academic challenge of what it means to be a teacher, and as research practice in the everyday, this is the primary purpose of assessment for (or should I say "as") learning.


So.... Returning to Narratives of Learning, how have they helped me, and why do I think they are so powerful. Working iteratively with colleagues at the University of Bristol, on "ways of seeing" I was encouraged to think about how I might adapt some of what I was learning to explore more closely what learning looks like in my classroom. Much of the work students do using ICT, is practical and may not always be transparent, or physically evident through the outcomes they produce in a session. As I introduced the Interactive Whiteboard to my Numeracy Hours, I began to find myself increasingly drawing on speaking and listening activities to encourage "thinking together," supported by informal jottings and small whiteboards to scaffold this. This began to conflict with wider expectation that something should be be recorded in books from every session. IWBs as learning tools, like other technologies are seen in publications as "transformative tools." But with students cleaning boards in between tasks, the "evidence" of outcome was gone, and an emphasis on student recording seemed to devalue talk and group interaction as tools for shared meaning making. Amid our concern about the elimination of this "data" or "evidence" once an activity was complete, I turned to digital means of representing this, and an engagement with the development of learning stories.

Combining the use of the digital camera, card reader, computer, IWB and notebook Software I began to work with the students capturing them and their work as they engaged, using the images downloaded to support discussion. Taking and recording notes about what the students were saying as we worked together as a class, I was increasingly able to use photographs captured there and then to help facilitate and support this, or to provide feed back from the previous day's activity. Including these in PowerPoint Shows, that represented a teaching sequence with some areas the students found difficult I was increasingly able to use these as starting points and focal points for review when we returned to an idea later. For the Video Paper above, I tracked a unit of work where we used student's informal jottings to develop a written method, building on mental strategies, and using the learning story which evolved to help them see the links between the strategies they commonly used and the formal method we were expecting them to use. This was at times arduous and time consuming, but as a process really helped me to understand what it was that I was expecting of my students, and some of the common misconceptions they were taking away from the tasks we were developing. This did not only transfrom the learning context, but has also changed the way I view the teaching and learning of calculation, enabling me to see links between strategies and methods I had not seen or thought about before. With the emergence of the visualiser as a tool I now have the potential for direct digital capture of student work, and on screen annotation for inclusion in these notebooks, or to support the development of learning stories in software environments such as PowerPoint, as well as to improve the pace of activities which draw on or that I want to digitally store or engage with. This will certainly improve pace and the amount of time lost in importing images by other digital means.


The idea of a narrative of learning has taken on a whole series of new dimensions for me this year. As a socially constructed journey towards understanding, classroom learning in context must have a back story about what we have achieved together. The technologies I have used with students have progressively lead to a feeling that I need to share responsibility for logging the learning journey with my students. Podcasting tools such as Podium combined with the use of recordable MP3 players could lead to captains log stardate.... type reflections from reluctant recorders or even challenge the traditional writer to construct texts in new and different ways, while collecting their thoughts, the use of digital cameras as integral to the recording process could help with the embedding of multimedia authoring platforms such as Photostory, 2 create a story and PowerPoint in enabling group and class texts to be developed from the digital media collected in the classroom and encourage representation of process as well as outcomes through stories of learning multimodally, while the use of the class blog acting as part of the school website will enable students to jointly author, celebrate and publish learning logs, creating a sense of ownership and authorship of learning, while encouraging feedback and involvement from others about what we have been doing. There is an inbuilt sense of purpose when their is an audience to share our learning with, the quality of text development in our think spaces and PowerPoint while preparing for the Airbus challenge presentation reflected this. Yesterday the perseverance, self reflection, acceptance of critical friendship, self correction, recognition of the temporary nature of data, and willingness to rerecord aspects of the podcast some of the year 3s were making until they agreed that it sounded right, and reflected what they were trying to say, reflects for me how this is one of the ways to go with my students over the coming year. Just as learning about learning is the research domain of the teacher, then learning how to learn must be the domain of the student. It is of real interest to me how as technologies evolve our practices with them have changed little. Having attended sessions lead by Stephen Heppel, David Puttnam and Alan November recently, it is even more apparent that we must radically alter our view of what teaching and learning means in contexts where ICTs are employed. Shifting from seeing them for example as part of a delivery system, to adopting a multiple tool approach which sees technologies as combining with the creativity of the teacher to offer support for learning, This position not only sees the students in our care as learners, but also places us in this position, one where we are frequently outside of our comfort zone. Transformation and change is never easy or certain but one thing that is increasingly sure is that in the rapidly developing technological world change is the one constant. One which we must learn to accept, and where teachers must learn to see students differently, as coauthors of each other's understanding.